9/10/12

Xasthur - Portal of Sorrow LP (2010)


A repost. Because this is surely one of the albums I've listened to the most often over the last 2 years. And that I've listened to it last week and thought that, with time passing by, I'm quite sure I consider this is one of the best LP of this first decade (and a bit more) of XXIst century (at least, it's in my Top 10). So, since Scott Conner said there would be no more Xasthur LP, and since bands are often quick forgotten when they stop their activity, I thought it was necessary to repost it. The vocal presence of Marissa Nadler all along the LP contributes to its success. Although many Xasthur's lovers considered that Conner had lost the touch with the 2 previous albums, I on the opposite consider he was reaching a peak and that it's a shame he quitted. So, if you never tried, believe me and get it here. It's truly a music that explores the deepest of despair but makes it so beautiful we even don't regret to feel it. Below what I wrote in the initial post.

Xasthur, the one-man band of Scott Conner (so-called Malefic) has been buried by his creator and this album is its testimony. As I said for Daughters LP here, this Portal of Sorrow will be for me one of the few albums that will mark this year and without any hesitation, will stand the test of time. Much better produced than the previous one (you can dl here), easier to listen (just a bit), it is the more faraminous relevant soundtrack of our deleterious times. Nothing is less than exceptionally good here. You enter in such an album as you slip in a bath of muddy water. With a sensual disgust from which you get out with regret. It seems this album sold quite well (1500 were pressed all's gone) and Scott Conner is not sure to do a new press of it (see it here). It would be a shame. He says he will go somewhere totally different musically. But this guy is so good I'm sure we will find to enjoy in his next project. Meanwhile enjoy this last but not least gem here.





Below some tracks. Some of my favorites but there's not a weak moment on this album.









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