DMCA is back again

I received that " Mf has received a notification per the Digital Millennium Copyright Act that the following file is claimed to be infringing material. The fil e417.3__(-_-)__(2011).rar identified by the key (be07eee5761o99e) As a result of this notice and pursuant to Section 512(c)(1)(C) of the DMCA, we have suspended access to the file. The reason for suspension was: Copyrighted media relating to 'Sigur Rós'"
What happened is that I cited Sigur Ros as an influence for the Russian band called 417.3. Muso, who engages legal actions for this band, has not read the post, but only saw Sigur Ros in the post and that was enough to imagine I proposed to freely dl a product from their music-makers. It isn't. They should verify before asking to remove the link. Here a message for them: "You can be reassure, I'll never post anything by Sigur Ros, I've never liked the soporific music played by these icelanders, it's not good enough to be provided here freely. If some want to lose their money to buy such shit, it's their problem, but get out of this blog please. I'll never ever cite the name of this band on this blog anymore. And now piss off."
If any band wants their stuff remove, they leave a comment and I do it instantly. My aim is only to enlarge their audience and that they can sell more virtual or solid supports of their music. For old stuff, the aim is explained in the introduction statement of the blog.


Forgo10 Songs - 10 Faves of 2011

A great year for music to my ears. If I was a little bit stuck to 70's and doom-sludge-dark metal, and surely have missed some stoner, mainstream rock, folk or pop gems (but I was not inclined to appreciate it this year), there was enough in this style to satisfy my ear appetite. Not sure they are the best albums (or EPs) of the year, but those I listened to the most or found the most impressive.

1. The Unthanks - Last (UK)

This album made almost half of my year. I was not hardly able to listen to anything else the months that followed its release. There was in it all that I was longing to find in the same album. The best of Rock Bottom and of Magic Lady, and this particular mysterious melancolic perfume that these 2 ladies can suggest with their voices. Their cover of "Starless" (here) is for me the musical peak of this year. I am so fixed on this album that I didn't find the courage to listen to their last one, covering Robert Wyatt and Anthony & The Johnsons, afraid to be deceived. To not find Last in the Best Albums lists of so-called musical specialists supports (for example Mojo, who put the last PJ Harvey as n°1 LP, is it a joke?) is for me the sign that all these guys and girls do not have any musical judgement anymore.

2. Uncle Acid & the deadbeats - Blood Lust (UK)

I didn't think it was possible to do a nostalgic, old school and revival doom LP and create an instant classic. Uncle Acid and the deadbeats did it. In mixing their Black Sabbath "fond-de-sauce" with Let's Active, they realized one of the best album of the first decade of the XXIst century. There are in this albums some classic songs that will be played by revivalists of the future. Post here.

3. An Autumn For Crippled Children - Everything (Nederland)

Another album I couldn't stop to listen to this year. Imagine Xasthur meeting the Cure with some gothic wings to fly over all the rubbish that makes our lives, and you got this incredible band who offers us here some of the most celestial music ever played. I would have imagined they were from very nordic landscapes but they are from flatlands. I can't wait to listen for more from them. Post here.

4. Battle Path - Storm and Stress (USA)

Each year, there's a massive, monstruous album of sludge doom that sticks you on the wall. This year, it was not far to be Guiltless from Indian but this US band had this something more that really did the difference for me. I know it's a high position for a new band, but each time I listen to this LP, I'm sure it's one of my year's faves. Note that they changed their name during the release of this album and that you can find it under the name of Black Majesty and then Battle Path. Post here.

5. Dark Castle - Surrender to all Life beyond (USA)

If the band really deceived me on stage, their LP was, after a period I didn't appreciate it, a highpoint for me this year. Once again, same as the 4 previous LPs (not of the band, but of this list), it was one of this album that I couldn't help to play again over and over, even if I don't think everything on it is a total success and if there were better albums musically speaking. But sometimes, there's something in an album that vibrates deeply with your inner self and this album has it. Post here.

6. Big Hurt - Comfort (USA)

I wouldn't have imagined to find anymore the excitation I felt when listening to the Bastards or the Hot Snakes some years ago. But Big Hurt (actually more a one-man band) was able to offer it to me. I used this short LP anytime I wanted to canalize my anger and my secret feeling to kill someone. Each song is a winner. And losers sometimes love to win. Post here.

7. Frequency of Butterfly Wings – The Butterfly Effect (Iran)

This year was the year I (rather lately) discovered Lifelover. And the year they lost their guitarist-composer and stop. A pity for sure. Meanwhile, in Iran (yes), Frequency of Butterfly Wings was proposing their Lifelover version of music and I love it. Free of any dogmatic categorization, they play what they want. This freedom, very few occidental bands show it. Maybe none. Deserves its place here. Post here.

8. Murkrat - Drudging the Mire (Australia)

When it comes to real funeral and medieval doom, Murkrat are for me the best. The music Carl Dreyer would have loved to backed his Dies Irae. The former LP was quite lo-fi but this one fulfils all expectations. You don't listen to such an album, you embark on a river of no-return. The lady conducting this project deserves to be considered as one of the great priestess, a sort of Nico of our times. Post here.

9. Dyskinesia – Dalla Nascita (Italy)

Once again, this album is here because of the excitation, jubilation and impression it made on me when listening to it the first time. Wild and mad, but also innovative and complex, it's anything you can dream post-rock could be. I don't see any other band, even those I really dig and posted on this blog, that could compete with this album. Post here.

10. Drear - We Will Use Your Blood For Fertilizer (UK)

Not very different from Dyskinesia, this UK duo provides the most intense and devastative EP of the year. Composed in 2009 but only released this year, it's difficult to imagine more electrocufying music. Khanate meets Skullflower. A must. Post here.


The Wounded Kings - In The Chapel Of The Black Hand (2011)

I don't want to see a wave where there's none, but with Blood Ceremony (from Canada), Devil's Blood (from Nederland) and this new version (they have a female singer with this LP only) of The Wounded Kings (from UK), it seems that in 2011 a certain 60's-influenced doom female vocally-driven revival is on the road to glory. What's incredible is the fact that they don't give birth to second-rate albums, rather obsolete and nostalgic, but first-class ones, strangely relevant, even if the demoniac and sulfurous satanic background is no more than a delicatessen imagery in which it's orgasmic to drown in. This 4 track-LP has really something of the 60's italian version of Black Sabbath. More Atomic Rooster (when they were doom) than the Iommi outfit actually. Sometimes, Curved Air is not far (but Curved Air was never doom). The voice of Sharie Neyland is priestess as you can imagine. And there's a little nasal sound in it that increases its thrilling power. Not a weak track, a weak part, thick as fog in the Hammer horror films. The title track is a complete masterpiece. All in all, one of the best LP of the year in a category I'm sure there will be a lot of emulation next year and maybe a big public breakout if one song suddenly made it in the Charts (actually internet). Enjoy it here. Their facebook page is here. You got all you need to buy the album and support them so that they'll offer us more more.


417.3 - _(-_-)_ (2011)

Under this numerological name is a Russian post-math-rock band in the vein of Foxhole and a rather soporific band from Iceland I'm not authorised to say the name without fearing to see my file remove, with reminiscences of Polyphonic Spree in the background melodies but also with a doom dimension that you don't find in all the influences (real or supposed) I proposed above. If I post them it's because it's not usually my fave style to listen to (too much manierism for me) but here, I don't feel this arty posture and it's really one of the greatest record in this style I've ever listened too. And I'm sure it will be for you too. So, don't miss this duo (they are backed by various musicians but it seems these two guys are the creative nucleus of the band judging by the pictures). And buy it everywhere you can. Russia needs that we support what will make of us all the same human community, and art contributes strongly to it in making us share the same emotion. Now feel a little russian as I feel when I read Boulgakov or I listen to Shostakovitch. Their myspace here, their facebook there. Enjoy the album here (new link)


Family - In My Own Time / Seasons (1971)

With this 7th single, released in June 1971, Family will at last reach the crest of the chart wave, peaking at n°4 in September, but more triomphantly, staying 13 weeks in this ocean of hits and misses. It is surely the peak of their career. This song (I mean "In My Own Time") has all I madly appreciate in the music of that 70-71 period. Something very basic, sometimes even rudimentary, not far from a back to prehistoric era approach, mixing trad. US music with some English folk reminicences. Think of Jethro Tull (Aqualung period), T. Rex ("Ride A White Swan" period), the Kinks ("Lola" and Muswell Hillbillies period) but also "Cuz I Luv You" from Slade or even Mungo Jerry's "In The Summertime" or "Gonna Step On You Again" from John Kongos and you got the flavor of the period. But Family was much less commercial in its way to play this song and this is all the more respectable. Notice that the electric piano solo on the bridge will serve for Cockney Rebel on Mr Soft (funny when you think that the only member who will be in both groups, Jim cregan, was not on any of these songs). The B-side is a great one too, and the outro totally unexpected and amazing. You can't do to yourself no harm in listening to it here. Interestingly, none of these songs were on any album. 

Lay down easy, stars in my eyes
Try not telling too many lies
Wake up feeling, not foolish or wise
And life goes with me, no matter what size
Now some seek Jesus, of flags they can wave
Won't touch nothing, unless it's been saved
But I say your neighbor deserves much more faith
And answer to yourself when you misbehave
You may think I'm wasting my time
Think what you think, you know I don't mind
But if I don't pick up what you choose to find
I'll be with you in my own time
I'll be with you in my own time
Mine is my freedom you take, I'll defy
Laugh till I'm tired, sing till I cry
Cause life is a moment you pass with a sigh
Never comes back sure as yesterday's by


Meth Drinker - s/t (2011)

Sometimes you find a critics that say things much better anything you could ever think of. This is the case with this incredible album. A guy called IxI Killing wrote (here) "Have you ever put a record on and thought to yourself, “Since when did people inside insane asylums get to use instruments and why does it sound so fucking great?”. If you have thought that, believe me when I say you are not alone in this because when I listen to Meth Drinker’s self-titled debut full-length “Meth Drinker”, I get the same exact thoughts". And I had the same thought too. Honestly since the peak times of EyeHateGod or Autopsy I had not felt so disturbed by a band. Of course there has been some insane music proposed in the 2 last decades, more adventurous than this one (think of Khanate or Runhild Gammelsaeter for example), but here you can hear what's so specially fucking demential in sludge-doom, a sense of extreme terrorized vision of the world. It's crime being committed not related you feel to listen to. They are from New Zealand, a land that gives us more and more great bands and photographers and models. Impossible to miss if you're in real hate music. One of the highlight (actually lowdark) of this fucking awful year. Enjoy (not totally appropriate but I use it each time so let's go) it here.


Family - The Weavers Answer / Strange Band / Hung Up Down single (1970)

With this 3-song single (an EP actually but since it was only released in small format, I still call it a single), Family enters in a new period of its life, rawest, wildest, a mix between folk and Led Zeppelin's way to approach heavy rock, but keeping an experimental dimension, more in the use of unusual intruments than in the song structures, rather classic. What's not classic here is the fact that the song that was supposed to enter in the charts ("Strange Band") and written in capital letters on the cover sleeve is on the B-side, just before the 3rd song of the lot. Strange band indeed. This version is not the usual live version that will feature on Anyway 3 months later. Not even the alternative live version that was included in the BGO double CD reissue of Anyway. It can be found on the A Family Selection by Rhino records. Is it useful to add that these 3 songs are strong and still as excitating today than 40 years ago? I don't think it is. So enjoy it here.


Sorry. Difficulty to upload cos' of shitty connexion. They take the money and leave me their rubbish.


Space Bong - The Death Of Utopia (2009)

Sometimes, you listen to dozen of bands that leave you cold as death and wondering if anyone has still some ambition in the world of stoner sludge doom or death and black metal, and if specialized blogs really do think all the good things they say about most of the rubbish they post, when you suddenly freeze these bad thoughts, sure that you found THE band you were looking for after more than 3 hours. This band is Space Bong (not a good name if you ask me but you don't), they're Australians and they're what I call a "larger than life" band, this life being rather death actually. Imagine a mix between Khanate when they play not too slow and Autopsy when they play slow, you have something of the incredible unsane climax rising from the musical tomb of this band. Honestly, if I had discovered this album when it was released, it would have been in my Top 5 of 2009, no hesitation. Actually, it was recently made available on bandcamp if I judge by my informations, but I'm not sure. What I'm sure of is that it's impossible, if you like true pure and extreme doom, to miss such a monstruously good band. If you're in Thou for example, this will be (if it's not since I'm a bit late this time) you're second fave present band. Enjoy it here and then support them on their bandcamp there. They deserve it. Note that it's their second LP, but the previous was quite different. Available too on bandcamp.


Family - Today / Song For Lots 7" (1970)

In April 1970, while the band was intensively touring, they released this non-album 2 songs single that will fail to capitalize on their growing live notoriety. Honestly, it's not a great lot and it's hard to understand the excitation for this band if one judges only by this single (that did not chart). Since I post here the band's singles in their temooral order, this one had to be posted but it's true it's a weak link. Try it here. The only cover sleeve I found (on the Bandstand site entirely consacred to the band) show the B-side "Song For Lots" as the A-side but it was not the case in UK.


Family - No Mules Fool / Good Friend Of Mine (1969)

In 1969, between Entertainment and A Song For Me (and included in neither of these albums) and after Ric Grech was replaced by John Weider (for the better), the band released this superb single whose both sides deserved to be hits. The A-side, "No Mules Fool" is the perfect example of what English bands could do with traditional American music in the sixties and the seventies, I mean recreating them entirely and extracting what was non seculiar in this music to britishize it (the Stones and the Kinks did that splendidly too but many others too). The Chapman's voice is a delight and there's something in this song that announces bands like the Pogues or the Waterboys (and of course the Undertones). The B-side is demonstrated the drama ability of Chapman, making him a brother of singers such as French Ferré and Brel, or Scottish Alex Harvey and English Kevin Coyne. All fabulous interpreters of our most tormented inner souls. Here begins a fantastic period for Family, in musical terms at least. And this music strangely survives without being too much affected by the effects of time. Enjoy it here.


Fire Walk With Us - Carriers (2011)

The Netherlands are now a land of high profile for the music I love. Recently it was An Autumn for Crippled Children, now it is Fire Walk With Us (and a land for long bands' names). Here we are in the soundlands of Isis, Pelican or Omega Massif, but when many fail to find their own singularity, FWWU succeeds and there is a subtle way to approach this genre that make it for me. It's instrumental, it's contemplative but it's talking to our inner anguish soliloquies. Music to swim in, sometimes to drown in too. Not to miss. You can support them in dl this album on their bandcamp here. Their site there. Don't keep stuck to the 70's, enjoy this contempory hot shit here.


Family - Second Generation Woman / Hometown 7" (1968)

Sorry not to have posted lately, I got some home problem, quite funny when you consider that today's post is a rare one consisting in the B-side of a Family single released in October 1968 (midway between Doll's House and Entertainment albums) called "Hometown". Actually, you can find this song on a lot of compilations or as bonus track of CD reissues but when you listen to it, it's always the re-worked version featuring on Old Songs New Songs (with the violin) that you hear, even when the liner notes say it's from the single. So, I had to find and buy the single (I didn't own it) to pursue my Family singles series. Sorry for the quality sound, not as good as the seller told it was on his/her description, cracks are quite invasive but I did my best to lower them while keeping the sound quality of the voice (often there's a choice to do between the 2, I don't know why). It's a nice song but not a great one. Better than the awful A-side, due to Ric Grech, who will leave shortly after the band, not before having laid some of the weakest tracks on their next LP. I'm quite severe but honestly, compared to the Whitney-Chapman tandem, he didn't exist. Enjoy this 7" here.


Walk Through Fire - Walk Through Fire (2008)

Four months ago, I'd posted the last EP/LP (difficult to say) from this great Sweden band (here)? But the previous one, released in January 2008, was also a stunning beginning, more experimental than the second one but no less thrilling. Don't need to add anything. Just take it here, shiver with the music and then support the band there.


Petrychor - Dryad (2010)

Yes, it's rather pure black metal for this blog, but the folk parts make me shiver like those on the 3rd opus of Led Zeppelin, and the Xasthur dimension of the music is what unload me from the heavyness of life these days (with John Cale, in another style). Here's the first demo of this one-man band apparently from California (when you remember this was the land of the Grateful Dead and other psychedelic peace and love combos in the sixties, it shows you times have changed). I'm not totally fond of the way this talented young man plays his solo (a little too much virtuoso for me) but this is not embarassing enough to preclude me to post this 3 track EP cos' it is very strong. Issued in February 2010, it was followed in May 2011 by a full lenght LP called Effigies and Epitaphs (it sounds as a King Crimson album title) that I'll post here later. It seems there was 2 cover sleeves, the more recent being the B&W one with the girl's silhouette, the brown wood the oldest. I discovered recently this man/band through the Chris Alfieri's (from Vattnet Viskar) mixtape posted on American Aftermath here. Enjoy it here. And support him there.


The Reverend Of Despair - Spirit Writing (2011)

Here what the so-called Reverend of Despair (his real name is Victor Fisher and he's from a band called Shroud of Delirium) wrote on Encyclopaedia Metallum to present this album: "I have been working on this new solo project due to the absence of my band. Although plagued by mediocre production (alternate: although blessed with obscure production) I though this may interest some of you. It's doom-based eclectic madness! Heavy music has done me plenty of good. Maybe if even a single odd fellow will enjoy this effort it was well worth it.". So here is my answer. I'm among the ones to consider that this kind of production is a bless and not a plague. Moreover I not only enjoy this effort, I consider it as one of the best surprise of the year, and I listen to quite a large amount of music in doom-sludge-black metal-atmospheric post rock and other experimental delirium. But here, I litterally found in love with this unexpected mix of so much genres, styles and sounds that nobody had the idea to telescope. It's Black Sabbath meeting Roky Erickson meeting Buzzcocks meeting whatever has some sense of melody in doomland and even Nikki Sudden. And the fact that there is a real feeling of artisanal humanity that flows from it make it not only a worth but a mandatory acquisition. That'll be my last word. Do some more in the future please, we need such albums in our dull lives. Here's the bandcamp. Here the album. Moreover his favorite citation is said to be "In heaven all the interesting people are missing." from Nietzsche, and honestly, he's right. And visiting his facebook page, it seems to be politically quite rough and citing Stalin and Proudhon, not common in this country. Support.


Eno - The Lion Sleeps Tonight / I'll Come Running To Tie Your Shoes (1975)

This is the last testimony of the glam Eno, and actually he can be considered to be in his next period, pre-newavesque, since it was released in August 1975 and precedes by only 1 month his Another Green World album (the B-side is driven from it) that shared nothing with the previous glam sophistication. In this cover (composed by Solomon Linda in 1939 and sung by his band the Evening Birds), there is still the sparkling and weird approach of music of his 2 previous albums that, for me, will remain his musical peak (I'll surely be considered as a stupid ignorant but I don't care anymore of what others may think of me, in particular people I won't never meet, and even those who I meet and who make my living a hell). Since this A-side was only released on the vocal boxset, I think it can be interesting to some to get it here. My connexion is so slow these days (my provider is called Numericable and their stuff is shit, thief and robbery) that I'm not sure to have the patience to upload many things in the near future.


Alkahest - Milk and Morphine (2011)

It's time to get back to sludge & doom again. When time will come to select the best albums (or EPs) of the year (not long before this ritual from now), few should omit the last Alkahest. I had posted their previous EP here but actually this album gathers the 3 tracks from this EP with 2 new ones. The result is stunning. Everybody tells that they're playing Isis-like music but it's far less boring than most of the Isis stuff. If you want to try, take it here and then please go buy it there if you only want virtualcopy and there if you want hardcopy. It's only 9$ and for such a masterpiece, it's nothing at all. A must have.